Jesse: 影像與音樂是你斜槓的兩個領域，對你來說，哪一個先決？對「影像」與「音樂」之間的關係有何想法？
AP-C: 對我來說，影像與音樂是相輔相成的，它們在不同場域中切換主次，成為語言文字之外表達自我的重要媒介。無法用言語傳遞的情感與思緒，往往可以透過影像和音樂來具象化。它們不僅是一種主觀的表述工具，也能讓觀眾和聽眾從中找到共鳴。
拍攝時，我會挑選與主題氛圍契合的音樂，讓模特兒更自然地融入狀態。而在剪輯動態影像時，配樂則能強化影片的節奏感與沈浸感，讓作品更加立體。
J: 唱片設計經常透過影像傳達聲音的目的，請分享你印象深刻的唱片視覺？
AP-C: 我印象深刻的是 upsammy 的專輯《Germ in a Population of Buildings》，封面設計由 Jonathan Castro Alejos 和 Tharim Cornelisse 操刀。專輯內的音樂風格結合 IDM（Intelligent Dance Music）和環境聲響，視覺設計以虛幻的形變呈現，隱約可以看到花的輪廓，彷彿是現實與電子世界之間的一座無形橋樑。黑膠封面的壓紋與 3D 觸感，讓這張專輯不僅是聽覺的享受，更像是一件藝術收藏品，令人回味無窮。
J: 對你來說DJ與攝影師有何相同或不同之處？
AP-C: DJ 與攝影師最大的不同在於創作過程：攝影師需捕捉場景中稍縱即逝的光影，而 DJ 則需感受現場氛圍，根據舞者的反饋即興重組音樂，完成一場獨特的演出。
相同之處在於，無論是照片還是 DJ set，都是創作者當下心境與狀態的反映，回頭看它們猶如時空膠囊，記錄著特定的瞬間與情感。
J: DJ live streaming是近年聆聽與觀賞的一種新的表演方式，你對這種表演方式的想法？
AP-C: 加入動態影像的 DJ live streaming 為電子音樂帶來更多直觀的五感體驗，演出過程中的 DJ 姿態也成為表演的一部分。這種形式不僅豐富了觀眾的體驗，也有助於推廣電子音樂文化。透過影像，初接觸電子音樂的人可以更好地理解 DJ 演出的形式與多樣性。而 live streaming 的即時性與不可重複性，也讓演出更真實、有生命力，即便偶爾出現些許不完美，也為整體增添了鮮活的魅力。
J: 你對臺北電子音樂的期待？
AP-C: 今年台北除了幾間主要的指標性夜店外，線下增添了更多特色場景，社群上也出現推廣國內外 DJ 的電台與節目，這是非常值得期待的發展。電子音樂文化不僅廣泛且深刻，它不僅是派對與娛樂，更有其文化脈絡與藝術價值。我希望這個社群能從更多面向去探索與體驗，讓更多人了解電子音樂背後的深度與魅力。
Jesse: As someone active in both visuals and music, which takes precedence for you? How do you view the relationship between the two?
AP-C: For me, visuals and music are complementary, seamlessly shifting between primary and secondary roles depending on the context. They serve as powerful mediums for self-expression beyond words, often giving shape to emotions and thoughts that are difficult to articulate. Not only do they offer subjective storytelling, but they also allow audiences to find resonance and connection.
When shooting, I choose music that aligns with the theme's mood to help the model naturally immerse themselves in the moment. During video editing, the soundtrack plays a pivotal role in enhancing rhythm and creating a sense of immersion, bringing the piece to life in a multidimensional way.
J: Album design often uses visuals to convey sound. Could you share an album design that left a deep impression on you?
AP-C: One album that stands out to me is “Germ in a Population of Buildings” by upsammy, with artwork designed by Jonathan Castro Alejos and Tharim Cornelisse. The music blends IDM (Intelligent Dance Music) with ambient sounds, while the visuals feature surreal, morphing shapes that subtly reveal floral outlines. It feels like an invisible bridge connecting the physical and digital worlds.
The tactile details of the vinyl cover, including embossing and 3D textures, elevate it beyond auditory enjoyment, transforming it into a collectible piece of art that lingers in memory.
J: In your opinion, how are DJs and photographers similar or different?
AP-C: The key difference lies in the creative process: photographers capture fleeting moments of light and shadow, while DJs respond to the energy of the crowd, improvising and reassembling tracks to craft a unique performance.
What they share, however, is that their creations—a photograph or a DJ set—reflect their state of mind and emotions at a given moment. Both serve as time capsules, encapsulating a specific instant or mood that can be revisited later.
J: What are your thoughts on DJ live streaming as a new form of performance?
AP-C: DJ live streaming, enhanced by dynamic visuals, offers a more engaging and sensory experience. The DJ’s movements and presence become part of the performance, enriching the audience's connection to the music.
This format also helps promote electronic music culture by offering newcomers an accessible way to understand the art of DJing and appreciate its diversity. The live aspect, with its unrepeatable authenticity, adds vibrancy to the performance—even small imperfections can inject a sense of realism and spontaneity, making the experience more alive.
J: What are your hopes for Taipei's electronic music scene?
AP-C: This year, Taipei has seen growth beyond its flagship clubs, with more unique offline venues and online platforms emerging to promote local and international DJs. These developments are incredibly exciting. Electronic music culture is vast and layered—it’s not just about parties and entertainment but also holds deep cultural and artistic significance. I hope the community continues to explore and engage with these dimensions, inspiring more people to discover the depth and richness behind the beats.
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